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Imaging Devices

Let There Be Light (Part 2)

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Canon LV – 7392A

While the LV-7392A had no issues receiving a 1080p signal via HDMI (the analog RGB input accepts up to 1,920x1,200 pixel resolution), the image looked the sharpest when it matched the projector’s native XGA resolution. And despite the panel’s 4:3 aspect ratio, 16:9 content showed up pretty nicely when we selected the appropriate aspect ratio setting.

There are six preset display modes to choose from: Standard, Presentation, High Contrast, Cinema, Blackboard, and Color board. Adjusted image settings can be further saved into four user modes. On the whole, text looked sharp from the center of the screen all the way to the edges. We did notice some slight corner softness due to the light falloff, but that’s to be expected of any data projector. For video, we saw very good details; there’s no doubt this was aided by the auto iris function, and the fact that we were in a darkened room. The 10W monaural speaker isn’t of very high sonic quality, but it did get the job done as everyone in the 6x6m room could hear the audio track clearly.

Epson EB – X15

During use, noise level typically hovered around 40dB (Epson lists 37dB). This dropped to 29dB when Eco mode was used, and it was noticeable difference. Like the NEC M311XG, the lens cover is built in, and when you slide it shut, it will ‘mute’ both the image and audio. While the EB-X15’s 1.2x zoom lens isn’t the most flexible here, it probably won’t matter much unless you’ve a very tight space. Case in point: We still managed a big 100-inch image with a 3m projection distance.

During use, noise level typically hovered around 40dB (Epson lists 37dB).

During use, noise level typically hovered around 40dB (Epson lists 37dB).

If you need the brightest image, Dynamic mode is the way to go. We found Presentation mode to strike the best balance between text clarity and color accuracy. Theater mode did wonders to blacks in movies, but this mode ends up dropping light output to about 1,700 lumens. Overall, the EB-X15 puts in a strong performance in the brightness and uniformity departments. Colors also appeared very bright and vibrant. Turning on Eco mode drops brightness by about 24%, but you get an extra 1,000 hours out of the lamp.

Sony VPL – EX245

On paper, the VPL-EX245 with its 3,200 lumens brightness is the brightest projector of the lot. And indeed, its light output did top the chart when we tested it. However, it’s also important to point out that the difference between the four projectors in terms of light output is fairly minimal. But credit where credit is due: text was sharp and highly legible even at non-native resolutions, and colors were (for the most part) rich and accurate. Gradients looked smooth too, possibly aided by the projector’s 12-bit 3D gamma correction circuitry.

On paper, the VPL-EX245 with its 3,200 lumens brightness is the brightest projector of the lot.

On paper, the VPL-EX245 with its 3,200 lumens brightness is the brightest projector of the lot.

If you don’t need all that light output, we found Presentation mode to be a good set-it-and-leave-it preset for both text and image projections, due to its good blend of brightness and contrast. Expectedly, Cinema mode is best used when you‘ve control over the ambient light due to its low brightness; but it did nail the color temperature to our preferred 6500K. While all four projectors performed fairly similarly in the DVD-watching tests, we found ourselves liking the VPL-EX245 just a tad more because of its fi lm-like picture quality.

And The Best Business Projector Is …

For most business and education users, the number one feature to look out for in a data projector is brightness, because a lot of times, it’s neither possible nor practical to have a darkened room. In fact, some presenters rather have all the lights turned on, so that they can maintain eye contact with their audience. Now here’s the good news: with brightness ratings between 3,000 and 3,200 lumens, you won’t go wrong with any of the four projectors in this roundup. The Sony VPL-EX245 was the brightest out of the box, but the Canon LV-7392A was just a few lumens behind in reality.

While the LV-7392A put up a good performance, its flexibility score suffers due to its 1.2x zoom lens. It does have an HDMI input, but so do the rest. Data image quality-wise, the fight was between the Epson EB-X15 and the NEC M311XG. Ultimately, we gave it to the former due to its excellent keystone adjustment options. If you’re looking for portability, the EB-X15 is a great choice due to its (comparatively) compact size and light weight.

All in all, the NEC M311XG gets our nod for the Best Performance award for getting the most number of things right. It consistently performed well in our image quality tests (both data and video), and it packs a slew of useful features like a 1.7x zoom lens, USB viewer, and Crestron Roomview support. It also offers a super-long lamp life of up to 10,000 hours.

The winner of our Best Value award is the Sony VPL-EX245. Capable data and movie performances aside, with things like dual VGA inputs, USB media viewer, and 1.6x zoom ratio, its feature-set rivals the slightly more expensive M311X. Take note though, the lamp lasts just 3,000 hours at the High lamp mode. It’s also the heaviest and bulkiest projector of the lot.

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